Pan's Labyrinth: padlet: key scenes

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Short film: treatment

"Stuck in the Middle" Two scenes: -Dinner with parents -Ellie's bedroom Treatment: Ellie is a young girl of about 8 years old. She's an only child something she's not happy with as she has always dreamed of having a younger brother. However, this is made to be impossible as she has come to the conclusion that her parents no longer love each other. In fact, it is only her that is keeping them together. But being an 8 year old she doesn't have the sophistication to understand that... That is what her parents expect. One thing they can agree on is that Ellie is too naive to understand the situation in their eyes. But Ellie is anything but. Ellie doesn't really have a lot of friends or in her eyes they are 'bitches', she claims they never share their pencils or let her play with her at playtime. Ellie's only real friend is movies and television, she's not your typical little girl who's obsessed with dolls and teddies but films...
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How useful has an ideological critical approach been in understanding binary oppositions in the narratives of your chosen films?

Plan: Argument: It is through the ideology of feminism that Andrea Arnold visualises for the spectator the binary oppositions of male versus female and good versus evil. Confronting the travellers/gypsies (male versus female) - use of hand-held, proximity between characters and camera, use of over-the-shoulder shots. Mia and Connor sex scene   (male versus female/good versus evil) - the connotations of hand-held, over-the-shoulder shots, scopophilia and the male gaze. Andrea Arnold's fascinating film, 'Fish Tank', follows the story of an aggressive teenage girl, Mia, going through her day to day life. Her emotional connection with her mother's boyfriend, Connor, enlightens the spectator to a side of Mia that is not illuminated before his entry. However, as their love moves beyond platonic, the spectator's views on Connor immediately change and thus coincides with the animalistic representation of the majority of men in the film. Being ...
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Vertigo: Similarities with Rear Window

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-As seen in both films and the majority of Hitchcock's works, the leading female always tends to be a blonde . This is a prime example of Hitchcock's auteur . The POV (Point of View) shot is a trademark in Hitchcock's cinematic library and features numerous times in both of these films. The examples below include the opening scene in Vertigo (left) and through the lens of Jeff's camera (right).       -Hitchcock was one of the founding pioneers of the cameo and features in every single one of his films. In Vertigo he walks across the camera in the street and in Rear Window he wear a blue dressing gown, a supposed guest to the piano man who's Jeff's neighbour.     - Music in both films has a fundamental role in heightening suspense . In fact, in both films, music is used when Jimmy Stewart is in danger from falling from a tall building. Furthermore, we get a high angled shot...
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