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Short film: treatment
"Stuck in the Middle" Two scenes: -Dinner with parents -Ellie's bedroom Treatment: Ellie is a young girl of about 8 years old. She's an only child something she's not happy with as she has always dreamed of having a younger brother. However, this is made to be impossible as she has come to the conclusion that her parents no longer love each other. In fact, it is only her that is keeping them together. But being an 8 year old she doesn't have the sophistication to understand that... That is what her parents expect. One thing they can agree on is that Ellie is too naive to understand the situation in their eyes. But Ellie is anything but. Ellie doesn't really have a lot of friends or in her eyes they are 'bitches', she claims they never share their pencils or let her play with her at playtime. Ellie's only real friend is movies and television, she's not your typical little girl who's obsessed with dolls and teddies but films...
Pulp Fiction: Representation and Institutional
Representation Gender -Mia's introduction is quite alluring (the extreme close up of her lips when speaking to Vincent). It compliments her seductive voice and the diegetic music. The audience is able to empathise with Vincent as despite the fact that we get a shot of Mia, her back is facing away from the camera meaning that our understanding of her appearance is as unclear as it is to Vincent. The implications of this is that Tarantino enables the audience ro really feel the sexual tension within the scene. - Sound: Diegetic- 'Son of A Preacher Man' by Dusty Springfield = Sexual, powerful. It compliments Mia's demeanour. Mia's voice-intercom- mysterious, asserts her power. This is physically made apparent through her control over the cameras watching his every move. Mia takes advantage of the fact that Vincent is now in a vulnerable position and is dependent on her commands. Once again, Tarantino allows the audience to understand the ...




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